Art In America

News

Harun Farocki, 1944-2014

Harun Farocki, a prolific German filmmaker whose works were often shown in international art museums, died July 30 at 70. The cause of death has not yet been released.…Read more

News

Living Live, Live: Peter Coffin Launches Clocktower Radio Show

New York's Clocktower Radio, the experimental online art radio station, will host Living Live, a series of twice-monthly radio shows and viewing parties this summer from Red Bull Studios in Manhattan's Chelsea neighborhood. The broadcasts (Aug. 6-Sept.…Read more

News

Emily K. Rafferty, Met Museum President, To Retire

Metropolitan Museum of Art president Emily Rafferty, 65, will retire in spring 2015, after 11 years in the position and nearly 40 years at the New York museum.…Read more

News

Cameron Kitchin to Head Cincinnati Art Museum

The Cincinnati Art Museum has named Cameron Kitchin the museum's new director. Kitchin is currently director of the Memphis Brooks Museum of Art in Memphis, Tenn. He takes up his new post Oct. 1.…Read more

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Magazine

Marilyn Minter on Robert Gober

"Robert Gober was profound for me."…Read more

Magazine

N. Dash on Liz Deschenes

"The press release for Liz Deschenes's show at the Walker says only that she is creating new work. The vague description is appropriate, perhaps, because Deschenes's projects are resolutely physical and best experienced in the real."…Read more

Magazine

Philip Tinari on Lee Mingwei

"'Lee Mingwei and His Relations' will be an event for Tokyo."…Read more

Reviews

Andrew Lord began working in ceramics some 40 years ago—long before the medium's recent renaissance in the art world—creating pieces that explore concerns far beyond those of functional household objects. Throughout his career, he has used forms such as coffee sets or vases as grounds on which to consider painterly notions such as how light falls, or to refer to other artists, including Picasso, Duchamp and Jasper Johns. Born in northern England in 1950 and based in New York since the 1980s, Lord makes nearly all his work by directly grappling with the clay, the final sculptures bearing signs of struggle between the resistant material and the artist. Lord's recent exhibition at Eva Presenhuber centered on three groups (all 2013) of 13 to 15 pieces based on ceramics by Gauguin—vases, dishes, bowls—and presented on three long trestle tables. Each of the coll...Read more

Lida Abdul describes herself as an artistic nomad. Born in Kabul in 1973, she and her family fled Afghanistan soon after the Soviets invaded in December of 1979. They lived as refugees in India and Germany before immigrating to the United States in the late 1980s. Residing in Los Angeles, Abdul returns regularly to Afghanistan, where devastation and the resiliency of its population fuel her creativity. The installation, five films and one video (all made between 2005 and '13) comprising Abdul's first solo exhibition in France presented poignantly staged allegories of the human spirit, both provocative and poetic. The artist set the tone in an introductory wall text, proclaiming that her ravaged homeland "is a prime example of humanity at its worst and possibly its best precisely because the disaster, by definition, ruptures the mechanical workings of morality bringing us face to f...Read more

A British series of educational books published in the 1960s and colloquially known as Peter and Jane (its proper title was Key Words Reading Scheme) was parodied to brilliant effect in artist/comedian Miriam Elia's recent book We Go to the Gallery. Taking the eponymous siblings on a tour of a gallery, Elia lampoons such art-world oddities as blank canvases and balloon-dog sculptures. The original books' dated illustration style and family-values traditionalism provide an easy foil for that which aims to be avant-garde and convention-busting. Painter Tala Madani also showed this to be the case in two canvases, The Lesson and The Swing (both 2014), included in her recent exhibition at Pilar Corrias. Each of these paintings features an expressionistic interloper amid a Peter-and-Jane-style scene. In The Lesson, a loosely depicted ...Read more

Ever since the late 1960s, Michelle Stuart has been radically expanding the idea of drawing. "Michelle Stuart: Drawn from Nature," a traveling survey of about 60 works organized by Anna Lovatt for the Djanogly Art Gallery, Nottingham, UK, uses works on paper to touch on the artist's interests in ecological history, mapping, nautical exploration and what she calls the "archeology of nature." Unlike Land art peers such as Michael Heizer and Dennis Oppenheim, Stuart doesn't alter the sites she works with. Typically temporary, her interactions with the landscape result in photographic documentation, rubbings and relic samples of earth, rock and minerals. She is perhaps best known for graphite scrolls on muslin-backed paper that incorporate bits of earth and the impressions of terrain, getting us close to the rich textures and colors of stones and dirt. Serving as a kind of source lib...Read more

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