
Two slide carousels, 80 slides each, approx. 9-minute loop. Courtesy Callicoon Fine Arts, New York.
Though he's been shocking the experimental film world with his Super 8 films about his mysterious family history, gruesome medical procedures, graphic sex and ritual violence since the late '80s, Massachusetts-based artist Luther Price made a splash in the art world only recently, with his inclusion in the most recent Whitney Biennial.
Price's current show at Callicoon Fine Arts in New York includes two new slide projections, each a unique collage comprising spliced film and detritus from his studio. Here he discusses one of them. (Formatting, spelling and style are the artist's own.)—Leigh Anne Miller
This handmade slide is part of a new 2012
projection installation .......titled "#9"........., consisting of
two slide carousals with 80 slides in rotation of 7 seconds per
slide..........................the entire rotation is
approx.......9min......but becomes a repetitive loop
This blue Picasso-esque slide.......is
titled......."Berlin Wall 1982".......While on a trip to Germany in
1982 ....i came to the wall and photographed much of it , covered in
amazing painted murals full of heated vibrant color and human
content............... Recently,....i decided to go back to
some of these images ............Fermented in time ..........and most,
physically gone ......, I decided to recycle and reconstitute the
images....................so i used bleach and salt .......to
decay the original slide.......then sliced and cut and paste into a
new contemporary composition.........
The mixed media i use , including film ,.....is
quite specific............when working out the concept..........in the
case of #9....,i wanted to focus on the visceral aspect of decay and
layered skin of time............., Everything about the process,.......i
feel is extremely important........no matter what the medium of
work...............there are hidden secrets and answers everywhere
within process .............the process becomes a living archival
testament....leaving the remnants in its path ..........remnants
which become the real potent truth
I work intuitively........I like to gather the flesh and guts of the
material.........lay it out and then turn into a crazy factory
worker......with no rules of contemplative design......let the eyes
speak to hands while the brain takes a nap.....................let the
fuckin work make itself ...........it knows where it needs to go
.....................it knows what it needs to be
Barcelona
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