(Event Ticker Requires JavaScript and Flash) Download the latest Flash player
Decoding Images
Luther Price: #9, 2012

Luther Price: #9, 2012

Two slide carousels, 80 slides each, approx. 9-minute loop. Courtesy Callicoon Fine Arts, New York.















Though he's been shocking the experimental film world with his Super 8 films about his mysterious family history, gruesome medical procedures, graphic sex and ritual violence since the late '80s, Massachusetts-based artist Luther Price made a splash in the art world only recently, with his inclusion in the most recent Whitney Biennial.

Price's current show at Callicoon Fine Arts in New York includes two new slide projections, each a unique collage comprising spliced film and detritus from his studio. Here he discusses one of them. (Formatting, spelling and style are the artist's own.)—Leigh Anne Miller

Hands On

This handmade slide is part of a new 2012

projection installation .......titled "#9"........., consisting of

two slide carousals with 80 slides in rotation of 7 seconds per

slide..........................the entire rotation is

approx.......9min......but becomes a repetitive loop

 

Blue Period

This blue Picasso-esque slide.......is

titled......."Berlin Wall 1982".......While on a trip to Germany in

1982 ....i came to the wall and photographed much of it , covered in

amazing painted murals full of heated vibrant color and human

content............... Recently,....i decided to go back to

some of these images ............Fermented in time ..........and most,

physically gone ......, I decided to recycle and reconstitute the

images....................so i used bleach and salt .......to

decay the original slide.......then sliced and cut and paste into a

new contemporary composition.........

 

As It Seams

The mixed media i use , including film ,.....is

quite specific............when working out the concept..........in the

case of #9....,i wanted to focus on the visceral aspect of decay and

layered skin of time............., Everything about the process,.......i

feel is extremely important........no matter what the medium of

work...............there are hidden secrets and answers everywhere

within process .............the process becomes a living archival

testament....leaving the remnants in its path ..........remnants

which become the real potent truth

 

Self-Making Man

I work intuitively........I like to gather the flesh and guts of the

material.........lay it out and then turn into a crazy factory

worker......with no rules of contemplative design......let the eyes

speak to hands while the brain takes a nap.....................let the

fuckin work make itself ...........it knows where it needs to go

.....................it knows what it needs to be

 

Sign up to receive the Art in America Newsletter

Thank you for signing up.
Market News
LATEST REVIEW

Barcelona

Ahlam Shibli

MACBA

Ahlam Shibli's first major retrospective, "Phantom Home," featured nine series of her documentary-style photographs, dating from 2000 to 2012. Fo...

Also