Art In America

Anna Sew Hoy

at Koenig & Clinton,
459 West 19th Street

Denim is everywhere in Anna Sew Hoy’s “Invisible Tattoo,” serving as a stand-in for the human body and a protective casing for vulnerable insides. Piled on the floor are various “Denim Worms” (2016), long tubular soft sculptures made of jeans in a variety of colors and washes that have been stuffed with T-shirts and sewn together. Other works are more rigid, though no less biomorphic. The curvaceous, denim-clad stoneware forms in Invisible Tattoo (2016) resemble a figure in a seated yoga pose from the back. From the front they look like a hooded head with a large oval mirror where the face should be. Invisible Tattoo comprises a pair of these objects, each arranged alone on a separate cinderblock base and positioned to face one another. The work reflects on the act of looking, but only the stone-washed or reflective surfaces are visible; the interior is opaque, protected.

Anna Sew Hoy’s sculptures extend the surrealist-inflected tradition that Lucy Lippard termed “eccentric abstraction.” There are echoes of Eva Hesse’s work and, particularly in glazed stoneware pieces like Woven Void (2016), Barbara Hepworth’s carvings. Sew Hoy’s project takes such historical examples as guides to embodied experience in contemporary life. Some of the “Denim Worms” are draped over sculptural wall hooks: naturalistic flexing forearms cast in clear plastic. Cords of headphones and other electronic devices run through these arms like veins. The bare limbs, titled Utopic Accumulation (Wall Hook), 2012-16, stand out in the exhibition not only because they are explicit figurative element amid otherwise abstract works, but also because, un-jeaned, they appear profoundly exposed.

William S. Smith

 

Pictured: Anna Sew Hoy: Invisible Tattoo, 2016, stoneware, jeans, mirror and cinderblocks, 25 by 18 by 20 inches. Courtesy Koenig and Clinton, New York.

More from the Lookout

Florine Stettheimer

at the Jewish Museum,
through Sept. 24
1109 5th Avenue

“Body, Self, Society: Chinese Performance Photography of the 1990s”

at the Walther Collection Project Space,
through Aug. 19
526 West 26th Street, Suite 718

Roni Horn

at Hauser & Wirth,
through Jul. 29
548 West 22nd Street

Closing

Walead Beshty

at Petzel Gallery,
through Jun. 27
456 West 18th Street

Henri Cartier-Bresson

at the Rubin Museum of Art,
through Sept. 4
150 West 17th Street

Lygia Pape

at the Met Breuer,
through Jul. 23
945 Madison Avenue

Georgia O’Keeffe

at Brooklyn Museum,
through Jul. 23
200 Eastern Parkway

“Self-Interned, 1942: Noguchi in Poston War Relocation Center”

at the Isamu Noguchi Museum,
through Jan. 7
9-01 33rd Road, Long Island City

Submit your e-mail to receive insider information from the art world every week.