Art In America

Mary Beth Edelson

at David Lewis,
88 Eldridge Street, Fifth Floor

Patriarchal Piss (1973), on view as part of Mary Beth Edelson’s solo show “The Devil Giving Birth to the Patriarchy,” is a hand-painted photograph of the artist standing nude on a sand dune in North Carolina. Severed (male) heads hang from her biceps, and an angry cloud has been scribbled over her head. She appears poised to ram the patriarchy right back up the devil’s ass. The work is one of seventeen painted photographs from Edelson’s “Woman Rising” series on view here. Most reproduce the same image of the artist, but are embellished with varying symbols and patterns that make reference to female goddess archetypes. Some works allude to the artist’s peers—Louise Bourgeois and Lucy Lippard in particular—and other worldly figures. The series seems to contain the kernels of multiple aesthetic traditions within feminist art:  Wonder Woman and Kali join forces within the repeating, serial structure of Conceptual art.

The walls of the main gallery are covered with intricate collages that expand the aesthetic of “Woman Rising,” melding photographs and reproductions of artworks with drawings: the face of Botticelli’s Venus appears multiple times, partially obscured by tangles of black lines. Presiding over the space is Kali Bobbit (1994), a multi-armed mannequin wearing black lingerie and a belt of chef’s knives. Coming from Edelson, who began working as an activist during the civil rights movement, the homage to a woman who struck back at her violent husband reads as a wry monument to direct action. —William S. Smith

 

Pictured: Mary Beth Edelson: To the Rescue, 1973, oil and ink on silver gelatin print, 10 by 8 inches. Courtesy David Lewis, New York.

More from the Lookout

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at bitforms gallery,
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at the Knockdown Center,
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Aki Sasamoto

at The Kitchen,
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William Cordova

at Sikkema Jenkins,
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Dawn Clements

at Pierogi,
through May 7
155 Suffolk Street

Sara Cwynar

at Foxy Production,
through May 14
2 East Broadway

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at Brennan & Griffin,
through May 7
122 Norfolk Street

“Outlaw Glass”

at apexart,
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291 Church Street

Closing

Romare Bearden

at DC Moore,
through Apr. 29
535 West 22nd Street

Lygia Pape

at the Met Breuer,
through Jul. 23
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at Maccarone,
through May 6
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Closing

Harvey Quaytman

at Van Doren Waxter,
through Apr. 28
23 East 73rd Street

Georgia O’Keeffe

at Brooklyn Museum,
through Jul. 23
200 Eastern Parkway

“Self-Interned, 1942: Noguchi in Poston War Relocation Center”

at the Isamu Noguchi Museum,
through Jan. 7
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Giorgio de Chirico and Giulio Paolini

at The Center for Italian Modern Art,
through Jun. 24
421 Broome Street

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