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In her installations, sculptures and drawings, the Paris-based artist Tatiana Trouvé tackles the uncertain boundaries of fiction and reality, the mental and the physical, and explores notions of time, space and memory.
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It’s quixotic, not to say risky, to try to derive broad cultural conclusions from a day’s sweep of the galleries in Chelsea—or anyplace where there are more than a half-dozen of them within walking distance of one another. Then again, it’s borderline nonsensical not to.
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In his antic romps through history, Simon Starling sometimes takes chancy leaps of logic. His installations are all the more vivid, and elegant, for the risks he courts.
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A nomadic Chinese photographer brings to light her private images from the wild-youth days of Beijing’s 1990s avant-garde.
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The artist Bill Viola brings his knowledge of digital technology and Buddhism to this appreciation of the work of Peter Campus.
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Urs Fischer has trumped the New Museum’s ungainly interiors in installations replete with art-historical resonance and formal sleight of hand.
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Finding echoes of early avant-garde experimentation in the noise music he favors, Kelley talks about his own work and the musicias he is bringing together for Performa 09.
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In Conversation: Danica Dakic Takes Off Masks
09/03/09
When Danica Dakic (abandoned her architectural studies in Bosnia to focus on art, it wasn't the last t… Read More
600 Words With Michael Portnoy
08/28/09
In 2000 Momus was in a Chelsea gallery recording people singing, when an otherwise rather quiet man op… Read More
You Missed It: Ethan Shoshan
09/03/09
A group show of mixed media work organized by Ethan Shoshan "I'm always thinking of you even when I'm … Read More
