An exhibition of Diego Rivera’s portable murals made in the ’30s for New York’s MoMA prompts the author to consider their timeliness.
(Event Ticker Requires JavaScript and Flash) Download the latest Flash player
Walmart heiress Alice Walton's newly opened Crystal Bridges Museum defies elitist views on art ownership and the public.
In a sequel to his 2009 article "Provisional Painting," the author reflects, via artists named and unnamed, on the lure of the unfinished and the uses of doubt.
AMONG THE MOST significant artworks that have come into my life have been a chair, a trash can, a child’s dress. When I look at them as art, I tend to think of them as sculpture. Why do I (sometimes) call them that? As when I bestow the name of art on other things, it’s because of how they prompt me to think about form, appearance, meaning.
A rare in-person chat with the dissident artist provides an intimate glimpse into his beleaguered Beijing life.
Singapore Art Fair Lacks Major Sales, Takes Baby Steps
01/30/12
The Art Stage Singapore fair embodies the country's aspiration to be an international hub for Asia an… Read More
Hip Dealer Spengemann Named Marlborough Chelsea Director
01/27/12
As part of Marlborough Chelsea's ongoing efforts to shed its staid reputation, the gallery has named … Read More
MFA Houston's Online Latin Art Archive Launches
01/30/12
The Museum of Fine Arts, Houston, a longtime proponent of Latin American Art, recently made a new 10-… Read More
Stuart Hawkins says she was never any good at drawing. Upon deciding she to be an artist in the first grade, she arranged toys and stuffed animals, ev
