One of the most edifying— and disorienting—of the “Pacific Standard Time” exhibitions revisits the art of light and surface in Southern California.

In ceramics, Arlene Shechet has found the medium that best accommodates her career-long penchant for transformative processes and accidental effects.

Art Basel Miami Beach put the international art world spotlight on a free-form scene driven by street muralists. Can Wynwood and the Design District survive fashion retail and visitor throngs?

Work from a little-known Japanese movement of the late 1960s and early ’70s is being quietly snapped up by museums and collectors.

In her lively and formally diverse works, the German painter Charline von Heyl eschews ironic attitude while maintaining a cool engagement with the panoply of visual culture.