Alix Pearlstein thwarts her actors' standard techniques in order to heighten a viewer's awareness of video-mediated perception.

The Kochi-Muziris Biennale (KMB), presented as "India's first biennial," survived the crisis that threatened to capsize its inaugural edition.  

Since my preview of "The Female Gaze" and my review of "Now Dig This!" are readily available online at the New York Times website and elsewhere, I hope readers will judge for themselves whether or not the Nov. 23 petition and David Levi Strauss's commentary in last month's Art in America fairly represent what I wrote and what I think. I do not believe they do. 

The New York Times published a review by Ken Johnson of the exhibition "Now Dig This! Art and Black Los Angeles 1960-1980" at New York's MoMA PS1.

Wael Shawky's one-hour video Cabaret Crusades: The Path to Cairo (2012) features intermittent close-ups of taut strings quivering in a fire-lit night.