Widely admired but seldom considered comprehensively, Graham’s work spans disposable printed material and steel-and-glass architecture, and reflects interests ranging from Conceptualism to hardcore rock. All are represented in a traveling survey.

The performance artist talks about her upcoming show at MoMA, a project recently completed with Laotian children, and the discipline, and humility, demanded by her endurance-based art.

A tendency in recent (and not-so-recent) painting spurns high craft and finish in favor of a more makeshift, seemingly anti-market, esthetic.

San Francisco-based independent curator, writer, and musician Chris Fitzpatrick met with Mario García Torres at the Berkeley Art Museum and Pacific Film Archive to discuss his current solo exhibition, Je ne sais si c'en est la cause, What Doesn't Kill You Makes You Stronger, and Some Reference Material, on view through May 17, 2009.

Seeking some personal insight into the era of the “Pictures generation,” Art in America asked artist Laurie Simmons and writer/curator Marvin Heiferman to talk on record about the times. Over a period of a few weeks in February 2009, they conversed about some key issues, both old and new.