
Collector Beth Rudin DeWoody has the quickest eye around. Her sweeps through art fairs are legendary and her West Palm Beach and New York homes are resplendent with arrangements of art, vintage furniture and other treasures gleaned from her expeditions. I've observed Beth in action on several occasions, but last week I asked if we could sit down to analyze her decision process.
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Surprisingly enough, when Tracey Emin attended this year's installment of Art Basel Miami Beach, it was her first trip to the city. She came to check out the opening of "Mark Handforth: Rolling Stop" at the Museum of Contemporary Art in North Miami, where in two year's time her own major exhibition will kick off the week of Art Basel. She was so enthused by the spirit of the annual MOCA party, and its diverse group of revelers—her friend Julian Schnabel, Art Basel VIPs, Donna Karan, Calvin Klein, throngs of North Miami teens, and Yves Jason, mayor of Port-au-Prince—that for a few moments she stood amongst the crowd in the exhibition and thought to herself, "this will be me in two years."
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At a recent dinner hosted by the gallery Luhring Augustine, I spent the evening talking about God with Ragnar Kjartansson. In God, the Icelandic artist's 2007 film installation, Kjartansson appears onscreen suavely attired in a tuxedo, crooning repetitively "sorrow conquers happiness," accompanied by an orchestra. The moment Kjartansson's cyclical song finally builds to a crescendo, the film cuts to the beginning of the loop. Sad, soulful and meditative, the performance induces moments of euphoria as words dissolve into a heavenly chant.
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