Since the early 1980s, when she and Sonic Youth performed at art venues like White Columns in New York, Kim Gordon (and her bandmate and husband, artist Thurston Moore) has almost single-handedly represented a viable overlap of visual art and rock music, famously commissioning iconic album covers by Raymond Pettibon and Gerhard Richter. After moving to New York after art school in the '70s, Gordon contributed writing to periodicals like
Real Life and
Artforum, analyzing subjects like audience-performer dynamics in art rock clubs and appropriating the banal language of lifestyle magazines to report the outcomes of her experimental interior decorating project, Design Office.
Read More