Presented at the
The Kitchen on April 16th and 17th, Sanford Biggers's
Conundrum was performed by a mouse. That is, it was primarily executed by the clicks of Biggers's computer mouse, resolved by the viewer's eye against the screen. The Kitchen characterized the work as a collection of "live video mixing, improvised music, and a small ensemble of dancers whose choreographed movements cast geometric light patterns through space." At the core of this vaudevillian collection of vignettes is a replication of behaviors that could be titled: "Our Unrepentant Love of the Keyboard," or maybe "The Internet is My Cosmos." More specifically, this work's attention is fastened to YouTube as both cultural hub and home of the mash-up.
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On weekdays throughout the month of April, nearly every hour on the hour, a giantess of sorts appears, projected onto a massive outdoor screen in Times Square. There, you'll see one tremendous mouth licking and slurping brilliant fluids; a gigantic head breaking through a star-shaped hole carved in plywood; and another titan perhaps dancing while enduring gales of paint. Creative Time's "44 1/2" is an ongoing series of outdoor screenings of video art in Times Square; the first series was chosen by veteran painter, so-called bad feminist, and sometimes-curator Marilyn Minter. Minter selected three videos: Patty Chang's
Fan Dance, Kate Gilmore's
Star Bright, Star Might, and her own
Green Pink Caviar.
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