Roving Eye: Art is Everywhere and Nowhere

The New Museum's "Museum as Hub" space, on its fifth floor, currently hosts a massive, vibrant overflow from "Ostalgia," the current exhibition of Eastern European art. One finds, in particular, an overwhelming timeline of the fall of the Soviet Union produced by the St. Petersburg collective Chto Delat. It includes enough information for hours of education.
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Roving Eye: Pennsylvania Workstyles

I love Philadelphia. I moved to this gritty, bike-friendly city last September to be with my wife, Theresa Rose, who works in the city's Percent For Art program, which commissions public projects. That makes me an Amtrak commuter to New York—an expensive trip, but one that's great for reflecting or even that ancient pastime, reading.
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Roving Eye: All the World's a Stage

Consider this quality day trip. Head over to MoMA and let the combination of the Harun Farocki and Francis Alÿs shows bowl you over. These are artists who, using completely different approaches, touch upon a condition of the 21st century—that "all the world's a stage."

Watching Farocki's films, one is immediately attuned to Shakespeare's truism. The artist edits found footage into critiques of virtual war, remote missile guiding systems, prison surveillance and military training programs-all the footage in the world  already exists; the filmmaker need only find and edit it. Farocki narrates the conditions of power already present in the image itself. It's a powerful recontextualization.
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