Dan Graham is less known for his humor than for his pieces
Homes For America and
Rock My Religion, both which depart from clichéd notions of America. Graham's first retrospective,
Dan Graham: Beyond, is now on view at MOCA in Los Angeles, as is his solo exhibition at Marian Goodman Gallery. Here, the artist speaks about his concurrent shows, along with his use of deadpan and love of printed matter.
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Kerstin Brätsch is one of the few New York-based artists in the New Museum's forthcoming Generational exhibition, Younger than Jesus. Obfuscating the divisions between traditional media, Brätsch's installations feature large oil paintings and three-dimensional units, such as magazine and poster racks. The posters and zines both advertise and remix corresponding paintings. This strategy extends to the collective Das Institut, the performance group It's Our Pleasure to Serve You, and to printed media—interviews, advertisements, and portraits. Conveying an amount of skepticism, Brätsch's work propels a discussion of ground and support between the artist's paintings and her work as both a musician and a performer.
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