
Cookies, a Botticelli monograph and gold jumpsuits are just some of the disparate objects currently located in PS1's rotating gallery space. Curated by ICI (Independent Curators International) director Kate Fowle, the backroom features a temporary archive of objects and documents contributed by 40 of the Greater New York artists to represent the major influences in their work.
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A sigh of relief seems to be sounding out across the booths of The Art Show, the 22nd Art Dealers Association of America, invite-only art fair held in the Park Avenue Armory building. And while Mayor Bloomberg may have quipped in his opening speech that he wasn't there to buy art but to discuss New York's cultural community, others certainly were, since sales had already been made. 55 New York galleries and 15 national dealers weathered the storm, as one gallerist expressed when discussing the last 14 months: "We made it through. We even managed to keep hold of all of our staff."
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Whether filled with concrete or crotchless, the depiction of fabric in David Rimanelli's exhibition, "Denim," at New York University's 80WSE Gallery extends well beyond the bounds of the material. Using the blue jean as a platform to clothing as a uniform, as a means of expressing social or sexual identity, the exhibition also highlights our ability to rebrand ourselves depending on our attire. Complicating the reading of literal materiality with abstraction and metaphor, Rimanelli curates a show of artworks by 11 artists created over the last 40 years. Here he explains the bias against exhibitions on fashion, and how to get more action out of your pants:
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