
With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for thought-provoking, clever and memorable shows that stand out in a crowded field. Below is a selection of current shows our team of editors can't stop talking about.
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With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for thought-provoking, clever and memorable shows that stand out in a crowded field. Below is a selection of current shows our team of editors can't stop talking about.
This week we check out the late Rammellzee's "Gothic Futurist" installations at SoHo newcomer Suzanne Geiss, explore interventions by a trio of contemporary women artists in the Brooklyn Museum's period rooms, and bid farewell to Exit Art, the pioneering alternative space closing down after three decades of innovative programming.
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With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for thought-provoking, clever and memorable shows that stand out in a crowded field. Below is a selection of current shows our team of editors can't stop talking about.
This week we check out Franklin Evans's immersive artist's studio/library/listening booth environment at Sue Scott, new paintings plus a giant bronze by Georg Baselitz at Gagosian, and delicately layered fabric paintings by Lauren Luloff at Horton.
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With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for thought-provoking, clever and memorable shows that stand out in a crowded field. Below is a selection of current shows our team of editors can't stop talking about.
This week we check out the latest in Amy Wilson's subversively cheery text-heavy paintings and drawings at BravinLee Programs, John Chamberlain's retrospective at the Guggenheim and a historical survey of the "happenings" at the Pace Gallery.
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