Eileen Neff’s latest exhibition of new photography, “Things counter, original, spare,” featured eight C-prints, ranging from 30 to 80 inches on a side, and a ninth work that is discreet but unmiss-able: a one-inch-wide laminated Mimaki print running from top to bottom of a wall.

Marking the institution's 32nd birthday, the New Museum's inaugural "Generational" triennial showcases artists under 33-younger than the Savior when he ascended the cross. There are reasons to study this demographic, argue curators Lauren Cornell, Massimiliano Gioni and Laura Hoptman.

When a major museum decides to absorb a collection as a gift, the inherent question of its owner's taste -- a tar pit of concerns that are nonetheless significant in interpreting its selection and formation -- fall under close scrutiny.

The ten graphite drawings and one salt sculpture that compose Banks Violette's latest exhibition at Team Gallery, Not Yet Titled, are haunting creations; they're attempts to breathe life into subjects whose lives have been lost.

The video work of German-born New Yorker Wolfgang Staehle is marked by philosophical sweep, existential sharpness, startling slowness, and elegiac beauty. "A Matter of Time," his latest show at Postmasters Gallery, continues his investigation into landscape, architecture, networked imagery and the place of the sublime in a wired world.