Over the last 50 years, Jonas Mekas has been without doubt one of the most important figures in experimental film. Along with his own filmmaking, he started the magazine Film Culture in 1955, organized the Film-Makers’ Cooperative (1962) and the Filmmakers’ Cinematheque (1964), and, finally, founded Anthology Film Archives in 1970, where he later became (and remains) director. (All are, or were, in New York.) By gathering these different roles—director, critic and curator—in one person, he not only actively combined the fields of theory and practice, but over a long period significantly shaped our perception of experimental film, and expanded what independent cinema could be.



