Do endless grids of Google images accurately describe our existence? And if so, will aliens like them?

In her 1976 essay "Video: The Aesthetics of Narcissism," which looks at early works by Vito Acconci, Richard Serra, Peter Campus and others who dealt with the destabilizing effects of "the self split and doubled," Rosalind Krauss concluded that "the medium of video is narcissism."

Among painting genres, one most definitively affected by photography is still life.

Loredana Sperini's recent show "Tra di Noi" (Between Us), at Freymond-Guth's new space in the Löwenbräu complex, continued her explorations with contrasting materials.

True to its name, Simone Forti's second solo show at The Box, "Sounding," featured around a dozen works based on the artist's renowned performance oeuvre, all with "a central element of sound." Incorporating props and recordings from past perfor­mances, video documentation, photos and drawings, as well as several live performances, the exhibition engaged viewers on multiple levels, including aural.