Art In America

Brian Droitcour, Kyle Bentley Join A.i.A. Editorial Team

Droitcour is a writer, translator and PhD candidate in comparative literature at New York University. Bentley edits publications for various institutions, notably the exhibition catalogues Gauguin: Metamorphoses (2014) and Yoko Ono: One Woman Show,...

The Perils of Post-Internet Art

Though its buzzworthy name implies a cutting-edge aesthetic, Post-Internet art reinforces an all-too-familiar gallery system, according to a critic of online culture.

Summer eReading: Klaus_eBooks

At first glance, ebooks and artist's books seem the perfect marriage. The multimedia and interactive features possible in ebooks provide fertile ground for experimentation.

Verbatim: Ann Hirsch

"'Muffy' is about adolescent and childhood sexuality. The works come out of my own early sexual thoughts, feelings and inclinations, which were greatly influenced by pop culture, the Internet, my home life and my dreams."

The Agenda: This Week in New York

A.i.A. editors suggest a few of the myriad events taking place this week in New York: a book launch for Laura Raicovich's spam-based new novel at Creative Time; a chat between musician Kim Gordon and artist Raymond Pettibon at the Strand bookstore;...

Young Incorporated Artists

With slick corporate identities and digital media savvy, emerging artists are mimicking—all too closely—established forms of cultural power. 

Constant Dullaart Re-codes the Readymade

Critic and Rhizome fellow Brian Droitcour examines Dutch artist Constant Dullaart's so-called "readymades" as a means of negotiating with the Internet.

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