Art In America

Sebastian Black

Sebastian Black's recent solo exhibition was both promising and disappointing. 

Rachel Farbiarz

Rachel Farbiarz's treatment of the subject matter in her first solo show—the trauma caused by war and other man-made and natural disasters—might have come off as preachy in the wrong hands.

Zachary Keeting

From a distance, the eight paintings in Zachary Keeting's recent show looked like collages; up close, they revealed themselves to be layered acrylics.

Philip Taaffe

What a difference seven years make. Political and economic circumstances altered radically between Philip Taaffe's last two solo shows in New York, and this may have something to do with why his recent outing was so much the better.

Becoming Adults: The Paintings of Elena Sisto

April is a big month for Sisto. She's having first New York solo show since 2004, the traveling exhibition "Between Silver Light and Orange Shadow," which originated at Miami Dade College Museum of Art + Design, made a stop at the University of...

Joan Semmel

Ever since relinquishing an Abstract Expressionist style in the early '70s, Joan Semmel has taken as her subject the nude-mostly herself, seen as if she is looking down at her own body. The new works at Gray are based on digital self-portrait...

Judith Linhares

Populated by female figures more nudist than nude, Judith Linhares's recent paintings have the clarity of a dream: the scenarios and moods are instantly readable, while nuanced meanings lie just beneath the surface. Cavorting in nature-sunbathing,...

Eleanor Moreton

Eleanor Moreton’s New York solo debut presented 10 small to medium-size reworkings (all 2010) of compositions by once-famous 19th-century painters, such as the Pre-Raphaelite John William Waterhouse and the Austrian realist Ferdinand Georg...

Marta Minujin

Dense with works made, remade and documented from a half-century career, this retrospective of Marta Minujín in her home city of Buenos Aires presented an artist whose appetite for all kinds of sensation—intellectual, esthetic and political—and for...

Rose Wylie

Grand and messy, Rose Wylie's big paintings, mostly about 6 feet tall and between 5 and 11 feet wide, depict simple motifs—a cat, a cartoonlike head, a hand holding a flashlight. Broad areas of loosely applied paint are cut into with doodlelike...

Audrey Flack

This show presented anew Audrey Flack’s Photo-Realist work, including three major paintings from the ’70s and 20 of the color photos she used as the basis of these and similar paintings. Born in 1931, Flack found success in her 40s with imposing,...

Derrick Guild

In a recent exhibition, Scottish artist Derrick Guild presented work that he made during and soon after the nearly two years he spent on Ascension Island, a British dependency in the Atlantic just south of the equator, about halfway between Brazil...

Shape Shifter: Lynda Benglis

A traveling survey now in Dublin reveals Lynda Benglis to have remained as bracingly irreverent in her use of materials as she was 40 years ago. 

Scott Reeder

It’s not surprising that Scott Reeder lives in Wisconsin, birthplace of The Onion. Like the satirical newspaper, Reeder manages to get a lot of mileage out of the sometimes sad confluence of sensationalism and everyday life.

Dorothy Iannone

Almond-eyed, bare-bottomed, penises erect or vulvas engorged, Dorothy Iannone's figures conjoin, ecstatically reaching galactic heights through physical love.

Ji?Rí Kovanda

Slight gestures, jokes as quiet as whispers and an extraordinary lightness of touch characterize the oeuvre of Czech artist Ji?rí Kovanda. Two recent exhibitions offered a sampling of Kovanda then and now: at Kreps was a mini-survey of works made...

Ross Chisholm

The 18 loosely grouped paintings (all 2009) that Ross Chisholm presented in his first New York solo show brought to mind nothing so much as a postmodern version of a BBC miniseries set in an earlier age. Plumbing the last 300 years of English life...

Don Bachardy

Faced in 1985 with Christopher Isherwood’s approaching death at 81 from prostate cancer, the portraitist Don Bachardy, Isherwood’s partner for over 30 years (and 30 years his junior), undertook to draw him daily. Thirty-four of those drawings were...

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