Art In America

Meriç Algün Ringborg

“A Work of Fiction (Revisited),” 2013-14, actualizes the example sentences that dictionary editors provide to demonstrate word usage. 

Anne Hardy

Since the 1960s and '70s, sculpture's "expanded field"  has produced transient forms—temporary installations, performances, Earth works—that often continue to exist only in photographic documentation. 

Elizabeth McAlpine

Elizabeth McAlpine's series of 10 photographic works is elusive, even deceptive, but not in the way we typically think of photography as being.

Thomas Zipp

Thomas Zipp's art evinces a romanticism that its postmodernist methods designate as obsolete. It is a paradox his irony strives to justify. 

Henrik Håkansson

The problem with environmental art is the undeniable gravity and unassailable rectitude of its theme. It may seem irresponsible for artifice to tackle a subject best left to scientific research or documentary record.

John Stezaker

Shadows loom large in John Stezaker's new works. Derived from '40s and '50s B-movie film stills, these prints on canvas render the actors in flat, heavy black ink, the background sets in disquieting gray-blues or orange washes. A recurring theme...

Ned Vena

Usually, where contemporary U.S. painting is still in thrall to its great flowering of the 1950s and '60s, its allusions are ironic or critical qualifications of an earlier ideal of direct, painterly expression.

Gunter Reski

Painters emerging in the 1990s found themselves confronting their art's relation to a burgeoning digital-image culture in a way that corresponded to the response of Pop artists of the 1950s to the early mass media of the postwar era. 

Franz Erhard Walther

Since the early 1960s when, instead of painting, Franz Erhard Walther would deconstruct painting's support, highlighting the absence of the work being framed, the German artist has created sculptures that assume the condition of negative space,...

“Take It or Leave It”

Large-scale historical shows, when done in a certain way, can be intellectual steamrollers. 

Jimmie Durham

Where art and nature intersect used to be a contested ground. With the familiarity of sculpture as found-object assemblage, the junction has become an undifferentiated confluence.

Sofia Hultén

The films and sculptures of the Swedish artist Sofia Hultén are so invested in the syntax of linear narrative—in which one event logically proceeds from another—that her art at first resembles a parody of early Conceptual art's obsession with the...

Sarah Lucas

In the late 1980s, British sculpture became facetious as it became populist. It was not so much the broad strokes of YBA art, with its grandiose themes of violence, sexuality and mortality, that accounted for this, but more the way artists resorted...

Andy Hope 1930

Andy Hope 1930's art posits a gray area between cultures one would have assumed were incompatible: German 20th-century figurative painting—from Beckmann to Kippenberger to André Butzer, a tradition of soured irony embodied by lumpen, angular...

Inside the Art Bars

Bars have been as essential to the New York art world as its galleries and museums. Eleven artists reflect on the downtown institutions where creative inspiration could flow as freely as the drinks.  

John Stezaker

Since the 1960s, artists taking photography as their medium have often found it limited by a lack of material specificity, and have attempted to redress this imbalance by stressing the medium's substantiality over its ability to generate illusion....

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