Stanford University, a hub of innovative entrepreneurship in Silicon Valley and the origin of the "sharing economy" (think Uber and Airbnb), is now home to a magnificent example of art sharing. The Anderson Collection, a new museum that is part of...
Since the 1960s, Juan Logan (b. 1946) has mined Southern histories to produce a powerful alloy, one joining abstraction to a narrative that yokes the social injustices of the pre-Civil Rights era to today.
Sollins was executive director of Art21, a nonprofit organization dedicated to increasing public knowledge of contemporary art, which she founded in 1997.
For her first solo exhibition in the U.S., Scottish artist Morag Keil presented a meditation on property and authorship in the digital age.
If there is one thing that dealers at Frieze London agree on, it's that the fair's 11th outing is defined by business as usual—and more of it.
In the mid- to late 1990s, Zhang Dali spray-painted his own profile on the walls of condemned buildings in Beijing, drawing attention to the architectural and human victims of China's campaign to modernize.
For the Korean-born artist Do Ho Suh, drawing is a process primarily aimed at recording his physical surroundings. Using a labor-intensive rubbing technique, he covers the surfaces of an interior space with paper, including, in Rubbing/Loving Project,...
On the occasion of an encyclopedic 1975 show of Henri Matisse's work at Paris's Musée d'Art Moderne, A.i.A. devoted an entire issue to the master. In one article, eight contemporary artists shared observations on the artist; interviews with Roy...
According to the U.S. Department of the Interior's National Register of Historic Places, almost every county in the United States has registered at least one locale as a "historic place worthy of preservation."
For almost two decades, Rico Gatson has been making strong work that stands at the intersection of formalist abstraction and social commentary.
Throughout his storied career, Walter Robinson has been classified under different categories yet contained by none of them.
All dealers need to do a little handholding when managing their artists. Some, however, stand out for not only nurturing their stable but also inspiring them. New York dealer Hudson was one of those.
Established in 1994 in memory of actress Lillian Gish ("the First Lady of American cinema"), the prize recognizes "highly accomplished artists who have pushed the boundaries of their art forms, contributed to social change and paved the way for the...
As you walk into David Kordansky's recently relocated gallery in Los Angeles, a creamy, nutty smell wallops you—the unmistakable scent of raw shea butter.
French artist Brice Dellsperger's exhibition offered a single body of work shown in two ways: at Team Gallery's Wooster Street space, the 30 videos comprising the artist's "Body Double" series played on five monitors; at the gallery's Grand Street...
For the second time in under a year, Zürcher mounted an exhibition by the 86-year-old artist Regina Bogat, who was a familiar enough figure in the New York art world from 1966 to '77, the years covered, but is little known today.
All the paintings in Michael Bauer's second solo exhibition at Lisa Cooley have a similar composition: a central mass of miscellaneous marks and symbols that scatters like shrapnel toward the edges.
This month, A.i.A. examines the creative economy that links contemporary art and graphic design.