Art In America

Your Art Fair Antidote: The Guerrilla Girls Turn 30

This month, the Guerrilla Girls turn 30. The masked feminist avengers celebrate their birthday with new campaigns, street actions and an exhibition through May 17 at Abrons Arts Center on the Lower East Side, where they will host a party tonight.

The Breuer Effect

In 1966, A.i.A. devoted four articles in its September-October issue to the then-new Whitney Museum designed by Marcel Breuer. Architectural historian Timothy M. Rohan discusses the views of our writers, who characterized the massive building as a...

Devin Troy Strother

Are African-American fine artists today free from pressures to perform in specifically (but “acceptably”) “black” ways, as determined by a mostly white audience? According to the critique implicit in Devin Troy Strother’s impressive exhibition of new...

Nam June Paik

Nam June Paik has been described as the "father of video art," but the medium-specific moniker obscures his broader fascination with how technologies alter our bodies and our perceptions.

Reading and Rumor: The Problem with Kenneth Goldsmith

At Interrupt 3, a conference on poetry and digital media at Brown University in Providence, Kenneth Goldsmith read the autopsy of Michael Brown, the teenager who was murdered by police officer Darren Wilson in Ferguson, Mo., in August 2014.

Walking the Armory with Christopher Y. Lew

At the VIP reception of this year's Armory Show fair (Mar. 5-8), I met up with Christopher Y. Lew, the Whitney Museum of American Art's recently appointed associate curator, who was already stalking the aisles. Lew, who is in his early 30s, came to...

The Agenda: This Week in New York

A.i.A. editors suggest a few of the myriad events taking place in New York this weekend: a screening of Larry Clark’s latest flick at Lincoln Center; a NYPAC-hosted performance by Cecilia Corrigan at the Duplex; Henry Chalfant’s Flyin’ Cut Sleeves at...

From the A.i.A. Archives: Japan’s Gutai Group

Where does play end and art begin? The interest in such questions, largely fostered by the 2013 exhibition “Gutai: Splendid Playground” at the Guggenheim Museum in New York, has now prompted a resurgent fascination with the work of this high-energy...

Inventing Pop Abstraction

Uniting firmly outlined forms and bold colors, American painter Nicholas Krushenick created a new nonobjective vocabulary in the 1960s.    

The Breath of Life

Long an icon of feminism and sexual liberation, the artist now finds artistic counsel, erotic pleasure and spiritual sustenance in her many kissing cats.

niv Acosta

Departing from his Denzel Washington obsession, the transgender Dominican artist debuts a four-person dance performance that mixes disco beats, racial themes and sci-fi speculations.

R.H. Quaytman

R.H. Quaytman sticks to the rules, even when she's out of her element. The paintings she has produced since 2001 adhere to certain self-imposed parameters.

Forever Young or New Zombies? MoMA on Painting Today

As its paradoxical title cautions, an upcoming survey of contemporary painting at New York's Museum of Modern Art, "The Forever Now: Contemporary Painting in an Atemporal World," is full of contradictions.

The Agenda: This Week in New York

A.i.A. editors suggest a few of the myriad events taking place this week in New York: a discussion of Matisse's cut-outs at the Museum of Modern Art; a panel on zombie formalism at the School of Visual Arts; a discussion of the 1994 Whitney Museum...

Armory Show 2015 Exhibitor List Revealed

This year, the fair has attracted some respected exhibitors to sign on for the first time, including New York's Andrew Kreps and Metro Pictures and Los Angeles's Regen Projects, and hooked in up-and-coming dealers like New York's Rachel Uffner.

SITElines.2014: Unsettled Landscapes

The theme of this biennial is "Unsettled Landscapes," though the work I found most exemplary of the show's concerns offered more of a pastoral vision.

Bruno Novelli

Vivid flora and sharp geometries mingle and conjugate in "Materia Radiante," Bruno Novelli's first solo exhibition in the U.S. since 2008. 

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