Art In America

They, The People

Populist political movements have gained strength in recent years, but for whom, exactly, are they speaking?

The Repatriation of F$

Reared on the Continent before returning to her US homeland, Jewish socialite Florine Stettheimer used her flamboyant painting and set-design skills to explore the complexity of American identity in the interwar period.

“Soul of a Nation: Art in the Age of Black Power”

“Soul of a Nation” demonstrates different ways black artists from across the United States contended with issues of identity and representation and the role of art in a society pervaded with racism.

Naked Soap Operas: An Interview with Brontez Purnell

As a writer, Brontez Purnell's ink spills between zines, music columns, novels, and screenplays. Not content with just literary prodigiousness, he also counts choreography, filmmaking, musical performance and composition as part of a breakneck, punk...

Film: Worry the Image

For director Arthur Jafa, the essence of black cinema––and black being––lies in a nonlinear, quasi-musical processing of cultural memory and time.

Damien Hirst

Damien Hirst’s exhibition “Treasures from the Wreck of the Unbelievable” is like a vast art theme park, a journey into a fantasy world in which myriad mythologies and cultures collide. 

“The Stand”

Just in time for the inauguration of the forty-fifth president of the United States and the announcement from The Bulletin of the Atomic Scientists that the Doomsday Clock had been moved forward from three minutes to midnight to two and a half, P!...

Urban Pastorals

Sited on Staten Island, Governors Island, and the Brooklyn waterfront, three enormous new parks—reflecting the distinct versions of three top international landscape design firms—provide New York with a host of additional "green" amenities.

Edgar Arceneaux

Arceneaux’s immersive, theatrical works reveal complex, lost storylines of the post–civil rights era United States and cast us as witnesses to the lies, redactions, iconizing, and forgetting that has shaped this country, particularly the lives of...

Up Close 2016: Detroit

In 2016 we launched the Robert Rauschenberg Foundation/Art in America Arts Writing Fellowships, a joint project designed to foster art and culture writing in cities throughout the US. For our September issue, fellowship recipient Lynn Crawford wrote...

Fill in the Blanks: Photography at the Barnes

The Barnes Foundations' current display of more than 170 vintage photographs by 22 influential photographers, "Live and Life Will Give You Pictures: Masterworks of French Photography, 1890-1950," is not only a survey replete with famous images but...

Moving Memorials: “Lost and Found” at Danspace Project

Last Wednesday's ACT UP meeting was gloomy. Members of the AIDS-awareness activist group had been preparing strategies for actions under a Clinton administration. Amid the confusion, anger, and fear, the longtime members-the ones who joined in 1987,...

Do Tough Guys Art?: An Interview with Richard Vine

July 19 marked the release of SoHo Sins, an art world murder mystery by Richard Vine, managing editor of A.i.A. Here, artist and fellow novelist Travis Jeppesen interrogates the author on his motives, the origins of the tale, and the seamy...

Ambient Aesthetics

Monitoring commodity prices, asset values, and the digital measurement of collective happiness, 
Mika Tajima creates artworks and installations—sometimes diffuse and cloudy, sometimes violent—that reflect current socioeconomic...

Concrete Future

The Met Breuer, housed in the revamped concrete building that Marcel Breuer designed for the Whitney Museum, launched with a survey show whose “unfinished” theme chimes with the rough materiality of the modernist architectural landmark.

Company News

Today our parent company announced a shift in ownership. Brant Publications has assumed full control of the assets of Artnews S.A., including the magazine titles Art in America, Modern, Antiques, and ARTnews.

“Architecture of Life”

The question of what a particular museum aims to be is, today, so often preceded by the question of who’s behind its design. The recent construction boom among major American art institutions has resulted in the same kind of name-dropping that...

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