Stella and Nick's desire to see themselves as exceptions to the rules is paired with a sense that they are powerless to change thoseStella and Nick's desire to see themselves as exceptions to the rules is paired with a sense that they are powerless...
"Build bridges, not walls." That was the mantra heard often at opening week events for Pacific Standard Time: LA/LA.
How can we inhabit a world that is shaped by colonialism but not reducible to it?
Veteran artist Hock E Aye Vi Edgar Heap of Birds relates his efforts to commemorate Indigenous history while also critiquing non-Native arrogance in acerbic visual and textual works.
Artists have historically used action as a medium to create fleeting and expressive works, to disrupt typical social behaviors, and as a direct form of protest.
Reared on the Continent before returning to her US homeland, Jewish socialite Florine Stettheimer used her flamboyant painting and set-design skills to explore the complexity of American identity in the interwar period.
In the last few years, Elizabeth Jaeger has moved away from figuration to more stylized sculptural forms that only suggest the female body, thus literalizing objectification in order to subvert misogynistic associations obliquely and profoundly.
Anna K.E. alters the physical experience of her work by guiding her audience to unexpected perspectives.
“Soul of a Nation” demonstrates different ways black artists from across the United States contended with issues of identity and representation and the role of art in a society pervaded with racism.
Through stylistic exaggeration, Heidkamp's work shows both a timelessness inherent to the landscape and hints of a change yet to come.
"Valdes's installation makes us inspect mass-produced objects as part of the neocolonial narrative."
"He explores how you can use popular forms but have a set of avant-garde concerns operating in the work."
Both the Whitney Biennial and the Garage Triennial of Russian Contemporary Art opened in March. The Biennial is old: the current iteration is its seventy-second. The Triennial, which closed in May, was in its first edition.
Damien Hirst’s exhibition “Treasures from the Wreck of the Unbelievable” is like a vast art theme park, a journey into a fantasy world in which myriad mythologies and cultures collide.
The table is set with silverware compressed into blocks by César. The décor includes a still life of a bouquet by Balthus and a towering centerpiece of painted bronze breasts by Hans Bellmer. The main courses include a meatball speared on a fork by...
Biennial themes are often underdeveloped, amounting to little more than mood-setting phrases that give a poetic gloss to eclectic displays of artwork.
The huge digital billboards wrapping the architecture of Times Square form what marketing experts call a "brandscape."
"Conceptual artists are mystics rather than rationalists," Sol LeWitt famously wrote. But few conceptual artists have delved into mysticism with as much intelligence and historical perspective as Susan Hiller. Her third eye-opening exhibition at...