Art In America

Sascha Braunig

The wireframe bodies in Sascha Braunig’s latest paintings can be as sinuous as string figures or as rigid as metal grills. They inhabit illusionistic spaces defined by the deceptively simple gradients or environments warped by bold, Op-Art patterns....

Harvey Quaytman

Harvey Quaytman's paintings of the 1980s and '90s, a tight selection of which are on view here, bring the visual rhetoric associated with transcendent abstraction down to earth. Quaytman (1937–2002) is known for works from the 1960s and '70s that...

Vija Celmins

To walk into Vija Celmins’s solo exhibition, her first in seven years, is to enter a world in gray. Detailed paintings of choppy seas and night skies thick with stars—her major subjects since the 1980s—feel immersive even at relatively modest scales...

Mary Beth Edelson

Patriarchal Piss (1973), on view as part of Mary Beth Edelson’s solo show “The Devil Giving Birth to the Patriarchy,” is a hand-painted photograph of the artist standing nude on a sand dune in North Carolina. Severed (male) heads hang from her biceps,...

Diego Perrone

Glass is a material long associated with illumination, enlightenment, and the divine. The cast glass sculptures featured in Italian artist Diego Perrone’s exhibition “Self Portraits” hold out the promise of personal revelation. Elegantly displayed on...

Group Exhibition

Murray Guy, a Chelsea art gallery that is closing after an eighteen-year run next month, offered an education in challenging art. The program skewed toward conceptually driven photography and film; the gallery was often filled with the sound of a 16mm...

Liz Glynn

Auguste Rodin willed the contents of his studio, including the right to cast his sculptures posthumously, to the French state, which has established precise guidelines for how these works should be produced and distributed to cultural institutions...

Overview: Immerse Yourself

Only a handful of movie theaters around the country are equipped to screen Billy Lynn’s Long Halftime Walkas acclaimed director Ang Lee intended it to be seen. Centering on an Iraq War hero’s ambivalence about participating in a souped-up patriotic...

Anthony Caro

There’s always more to discover in Antony Caro’s sculptures, miraculously refined compositions of sometimes scrappy industrial materials. A seminal British modernist, Caro (1924–2013) extended an aesthetic tradition pioneered by Picasso and David...

Kai Althoff

It is easy for the visitor to Kai Althoff’s retrospective at the Museum of Modern Art,  “and then leave me to the common swifts,” to grow irritated: the long wait for entry into the overcrowded galleries, the admonishment from the well-meaning museum...

Julia Rommel

Julia Rommel’s first solo exhibition at Bureau, in 2012, featured diminutive monochromes perfectly scaled to the gallery’s shoebox space. Bureau has since moved to more expansive digs, and Rommel’s paintings have grown larger, their palettes more...

Suburban Futurism

Arguing that urban sprawl is the dominant growth paradigm of the present and future, the author advocates a close examination of dynamic, amorphous metroplexes like Phoenix and Dubai.

Cosima von Bonin

A key figure in the irreverent, boisterous Cologne scene of the 1980s, Cosima von Bonin produces eccentric sculptures and installations that evoke a “mad romp through the margins of popular culture,” as Faye Hirsch recently wrote in A.i.A. The focus...

James Hoff

James Hoff uses the conventions of painting to register the circulation of digital images and information. This solo exhibition features works from his “Useless Landscapes” series (2016). Hoff took pictures of forests with a cellphone camera and then...

Alan Sonfist

One of the most significant works of public art in New York is easy to miss. Alan Sonfist’s Time Landscape, on the corner of Houston Street and LaGuardia Place, is an unassuming patch of precolonial, pre-urbanized ground—a slice of native forest...

“Douglas Crimp—Before Pictures New York City 1967–1977”

The history of art in New York during the consequential decade of 1967 to 1977 could be (and has been) narrated in myriad ways, but there’s something especially moving about seeing it represented through a biographical lens in the intimate confines of...

Matthew Barney

I mistakenly expected this partial re-staging of Matthew Barney’s 1991 New York solo debut to have a scrappy and searching look. Instead, the sculptures, installations, and drawings that Barney produced at the age of twenty-four feel fully resolved....

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