Art In America

Anna Sew Hoy

Denim is everywhere in Anna Sew Hoy’s “Invisible Tattoo,” serving as a stand-in for the human body and a protective casing for vulnerable insides. Piled on the floor are various “Denim Worms” (2016), long tubular soft sculptures made of jeans in a...

All Gold Everything: Mika Tajima’s Public Art

Mika Tajima’s Meridian (Gold), 2016, resides in Hunter’s Point South Park along the southern portion of the East River waterfront in Long Island City, Queens. The public sculpture, which will be on view through Sept. 25, was commissioned by nearby...

Meg Webster

Meg Webster has been putting gardens in galleries for years. Her new exhibition opens with Solar Grow Room (all works 2016): four raised beds of plants and moss are bathed in pink light from overhead fixtures. The room’s walls are covered in...

Ambient Aesthetics

Monitoring commodity prices, asset values, and the digital measurement of collective happiness, 
Mika Tajima creates artworks and installations—sometimes diffuse and cloudy, sometimes violent—that reflect current socioeconomic...

Stephen Lichty

If you don’t remind yourself that the four objects (all 2016) in Stephen Lichty’s second solo exhibition are the products of human labor and experience, they might seem otherworldly. The artist produced Bowl, a three-foot-diameter floor sculpture, in...

Writing on the Wall: William Kentridge in Rome

Rome has been waiting for contemporary works of public art that can stand up to the historic city’s glorious monuments from the Renaissance and antiquity. Where the architects Richard Meier and Zaha Hadid tried, and failed in the opinion of many,...

Felix Gonzalez-Torres

It’s hard to overstate Felix Gonzalez-Torres’s influence on art since the 1990s. His extraordinary body of work—emotive, delicate, powerful—simultaneously revived and transformed the legacy of Conceptual art. Julie Ault and Roni Horn, two artists who...

“Fade In: Int. Art Gallery—Day”

The paintings and sculptures created for cinematic worlds are elements of set decoration rather than masterpieces. Yet they are nonetheless tasked with playing the role of Art and communicating nuanced ideas about class, taste, and refinement....

Post-Consumer Report: A Conversation with Rodney McMillian

Rodney McMillian’s work is a journey, and viewers willing to travel can make seeing it a journey, too. Three exhibitions on view at East Coast institutions comprise a tripartite midcareer retrospective for the Los Angeles-based artist. The Studio...

Hedonists and Humanists: Mapplethorpe in Los Angeles

It seems difficult to reevaluate Robert Mapplethorpe’s career today, partly because the furor over the cancellation of his first retrospective at the Corcoran Gallery in 1989 inspired such thoughtful assessments of his work then. No one will ever sum...

Michael E. Smith

Michael E. Smith’s sculptures convey a contemporary American gothic sensibility, conjuring a world of woodsheds and Walmarts and long winters when the mind can wander. His economical use of materials is matched by the deadpan descriptions of them on...

Stan Douglas

Set in Lisbon during the 1974 Carnation Revolution, which ended Portugal’s dictatorship and its colonial ambitions, Stan Douglas’s The Secret Agent is a faithful update of Joseph Conrad’s 1907 novel about the machinations of terrorists and their...

This Land Is Your Land: Earthworks on YouTube

As A.i.A. senior editor William S. Smith pointed out in his essay on Michael Heizer (whose 1970 installation Actual Size: Munich Rotary is on view at the Whitney Museum of American Art through April 10) our April issue, “Land art was photogenic out of...

One to One

At New York’s Whitney Museum, a full-scale 1970 photographic projection by Michael Heizer brings home the immersiveness, the being-there (even if only vicariously), that is essential to the Land art aesthetic.

Haris Epaminonda

Hanging near the entrance of Haris Epaminoda’s elegant solo show “Vol. XVII” is a framed page of text—apparently excised from a catalogue of Korean painting—that could be considered a substitute for the conventional gallery press release. The concise...

Generation X: Catherine Opie on Robert Mapplethorpe

Last November, FotoFocus organized a conference at the CAC to mark the twenty-fifth anniversary of the exhibition and to celebrate members of the city's art community who stood up for Mapplethorpe's work. A high point of the conference was artist...

Burn Book: On Fire by Jonathan Griffin

Ross Simonini reviews Jonathan Griffin's recent publication On Fire. Fires are real, not just mythological, and this brief, frank document about fires in artists’ studios suggests not the slightest hint of transcendent meaning behind such disasters....

The Pleasures of Being Watched: Neïl Beloufa’s “The Colonies”

In addition to producing videos that blend utopian and dystopian modes of speculation, Neïl Beloufa also establishes, through architectonic structures, specific conditions for viewing those videos—and for being viewed in turn. In “The Colonies,” on...

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