Overview is a new review column in which writers survey multiple exhibitions or other projects. This month’s edition covers the shows “International Pop,” at the Walker Art Center, Minneapolis; “Revolution of the Eye,” at the Jewish Museum, New York;...
Superscript, a conference at the Walker Art Center in Minneapolis and co-organized by MN Artists, covered how—or whether—arts journalism and criticism is changing in the digital age.
Feeling out of place, I found myself marching through the streets of Sharjah with hundreds of others—artists, curators, critics and students—who had come for the opening weekend of the ambitious biennial in this tiny emirate bordering Dubai.
Nam June Paik has been described as the "father of video art," but the medium-specific moniker obscures his broader fascination with how technologies alter our bodies and our perceptions.
Uniting firmly outlined forms and bold colors, American painter Nicholas Krushenick created a new nonobjective vocabulary in the 1960s.
Long an icon of feminism and sexual liberation, the artist now finds artistic counsel, erotic pleasure and spiritual sustenance in her many kissing cats.
Departing from his Denzel Washington obsession, the transgender Dominican artist debuts a four-person dance performance that mixes disco beats, racial themes and sci-fi speculations.
R.H. Quaytman sticks to the rules, even when she's out of her element. The paintings she has produced since 2001 adhere to certain self-imposed parameters.
The theme of this biennial is "Unsettled Landscapes," though the work I found most exemplary of the show's concerns offered more of a pastoral vision.
This month, A.i.A. examines the creative economy that links contemporary art and graphic design.
A voice from another world resounded through the Casa de los Arcos, a rambling structure perched above the Tomebamba River in Cuenca, Ecuador.
Currently the director of New York's Morgan Library & Museum, Griswold, 53, will assume his new position in the fall.
New Orleans's biennial returns this fall with its ambitious third edition (Oct. 25, 2014-Jan. 25, 2015).
René Daniëls is often described as a "cult" figure, an appropriately ambiguous honorific for the Dutch painter whose body of work from the mid-1980s has been hugely influential even if it has provided little grist for typical canonizing...
There is justice in the world of the Yes Men. A spokesman for Dow Chemical accepted responsibility for the 1984 Bhopal disaster live on the BBC, the New York Times announced that the Iraq war ended in November 2008, and the New York Post editorial...
Deep Cove Canoe and Kayak Centre, of North Vancouver, British Columbia is, without a doubt, a real business. During the high season more than 60 employees facilitate aquatic recreation in the spectacular Indian Arm fjord. Deep Cove's founder,...
The organizer of a quietly daring Chicago exhibition recalls how, decades ago, he suggested an analogy between commercial design and the era's most formally rigorous art.
Emblazoned in capital letters on a glass wall in the lobby gallery of New York's New Museum is a phrase that can be hard to forget: "Ideally This Sign Would Remember You." This isn't a question or hypothesis, one realizes, but a self-assured,...