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Questions are raised by Anne Drew Potter’s exhibition “Le Cirque de L’Armée Rouge,” among them, why she would allude to a red army. Is it a political reference or merely a witticism because most of the figures in the installation are unglazed terra-cotta and therefore red? But there’s no mystery behind the carnival reference, as visitors were greeted by a Ticket Seller figure and a bowl of paper tickets on a stand beside a pulled-back red curtain (all works 2009).