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Cinematic Scope
"Cinematic Scope" gathers six artists in their 30s and 40s from Germany, Austria and ex-Yugoslavia whose practices are "expanding" media in the 21st century.
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In the Studio: Wael Shawky
Wael Shawky's one-hour video Cabaret Crusades: The Path to Cairo (2012) features intermittent close-ups of taut strings quivering in a fire-lit night.
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Vienna's Wonders Back on View
The Vienna Kunstkammer evolved from the late Renaissance notion of the cabinet of wonders. It originally contained, apart from works of art, curiosities of nature that have since been disbursed to natural and ethnographic museums, or vanished. Still, it remains the largest and finest of its kind-and one of the greatest decorative arts collections on earth.
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OPINION
OPINION
The Clintons
I GREW UP IN THE D.C. suburbs, in Maryland. My mother worked for the government, and my dad’s business often dealt with government.
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Sarah Oppenheimer
Sarah Oppenheimer falls into a category of artists whose aim is to make us ponder the previously hidden experiential and perceptual dimensions of our constructed world.
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Sebastian Diaz
The Argentine video artist and filmmaker Sebastian Diaz Morales (b. 1975), who divides his time between Comodoro Rivadavia in his homeland and Amsterdam, is regrettably little known in the U.S., though he has exhibited widely elsewhere around the world.
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Muse: Sincerity
I CONSIDER MY INSPIRATION to be sincerity. Truth. We're born with sincerity. A baby is sincere when it cries or yells—as anyone who has had kids knows. Sincerity comes naturally, a reaction to the whole environment. But it gets complicated very quickly.
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A Woman Under the Influence
Deborah Kass folds an array of sources into her witty mash-ups of art history, pop culture and identity politics.
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Jesper Just
Soon after the announcement that he would represent Denmark in the 2013 Venice Biennale, Jesper Just mounted three video installations at his new gallery in New York.
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Domenico Gnoli
The Italian painter Domenico Gnoli died at age 36 in 1970, just a few months after closing an exhibition at Sidney Janis Gallery in New York. Janis was one of the leading venues for blue-chip Pop artists, who (it is worth remembering) were first called “New Realists” in a landmark exhibition at the gallery in 1962.
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