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The Lookout: A Weekly Guide to Shows You Won't Want to Miss
With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for clever, memorable shows that stand out in a crowded field. Every Thursday, we'll post the 10 shows our team of editors can't stop talking about.
NEWS &
OPINION
OPINION
The Lookout: A Weekly Guide to Shows You Won't Want to Miss
With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for clever, memorable shows that stand out in a crowded field. Every Thursday, we'll post the 10 shows our team of editors can't stop talking about. This week we check out Li Songsong's textured oil paintings that verge on abstraction, Lorna Simpson's gold-flecked prints and gold-painted dancers, and Dasha Shishkin's frantic neon paintings on Mylar. See all ten picks below.
NEWS &
OPINION
OPINION
The Lookout: A Weekly Guide to Shows You Won't Want to Miss
With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for clever, memorable shows that stand out in a crowded field. Every Thursday, we'll post the 10 shows our team of editors can't stop talking about.This week we check out William Stone's portraits and landscapes cobbled together from cut-up thrift store paintings; Leo Villareal's twinkling, floor-to-ceiling light installation; and Constructivist posters advertising Russian films from the ‘20s and ‘30s.
NEWS &
OPINION
OPINION
The Lookout: A Weekly Guide to Shows You Won't Want to Miss
With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for clever, memorable shows that stand out in a crowded field. Every Thursday, we'll post the 10 shows our team of editors can't stop talking about. This week we check out Kara Walker's two-gallery show of new films and works on paper; Stephen Westfall's colorful, geometric paintings inspired by Roman church floors; and Nnenna Okore's woven, mixed-medium wall hangings.
NEWS &
OPINION
OPINION
The Lookout: A Weekly Guide to Shows You Won't Want to Miss
With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for clever, memorable shows that stand out in a crowded field. Every Thursday, we'll post the 10 shows our team of editors can't stop talking about. This week we check out William Kentridge's ninth film, plus wonderfully expressive drawings, in his ongoing "Drawings for Projection" series; Garth Weiser's striated, abstract paintings; and Richard Tuttle's playful, mixed-medium sculptures.
NEWS &
OPINION
OPINION
The Lookout: A Weekly Guide to Shows You Won't Want to Miss
With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for clever, memorable shows that stand out in a crowded field. Every Thursday, we'll post the 10 shows our team of editors can't stop talking about.
NEWS &
OPINION
OPINION
The Lookout: A Weekly Guide to Shows You Won't Want to Miss
With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for clever, memorable shows that stand out in a crowded field. Every Thursday, we'll post the 10 shows our team of editors can't stop talking about.
NEWS &
OPINION
OPINION
The Lookout: A Weekly Guide to Shows You Won't Want to Miss
With an ever-growing number of galleries scattered around New York City, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for clever, memorable shows that stand out in a very crowded field. Every Thursday, we'll post the 10 shows our team of editors can't stop talking about.
NEWS &
OPINION
OPINION
An-My Le
In her recent exhibition, Vietnamese-American photographer An-My Lê returned to the subject matter, if not the ambiguities, of her earlier work. Her previous documentary photographs addressed American militarism in its various forms. For her “Small Wars” series (1999-2002), she traveled to rural Virginia to photograph a group of history enthusiasts reenacting episodes from the Vietnam War against the unlikely backdrop of southern pine forests.
OTHER
Fahamu Pecou
Throughout his still brief career, Atlanta-based Fahamu Pecou has experimented with playing the role of an artist whose fame approaches that of a hip-hop star. Earlier performance works in which he arrived at openings in a limousine with bodyguards, and paintings featuring the covers of art magazines bearing his likeness, toyed with how he thought, or hoped, others perceived him. But Pecou’s work took a more serious turn when he traveled to South Africa in 2008 and saw how the global phenomenon of hip-hop has influenced the way African American men are viewed abroad.
OTHER
