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With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for memorable shows that stand out in a crowded field. See below for an abbreviated summer "Lookout" of five of the best shows we saw this week, from genteel 18th-century pastels at the Met to a historical look at the Kitchen's early years in SoHo.
With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for memorable shows that stand out in a crowded field. See below for an abbreviated summer "Lookout" of five of the best shows we saw this week, featuring black-and-white photographs by both Miroslav Tichý and Malick Sidibé, Mark Wagner's collages made from thousands of cut-up $1 bills, delicate sculptures and etchings by the late Christopher Wilmarth, and yet another strong group show of abstract paintings.
A new version of Vladimir Nabokov's Pale Fire, conceived and illustrated by New York artist Jean Holabird, is sure to revive debates about the novel that have continued since its 1962 publication. At the core of Nabokov's masterpiece of meta-fiction is a 999-line poem, also titled "Pale Fire," by fictional mid-century poet John Shade; the rest of the book is written in the voice of Shade's colleague Charles Kinbote. Upon its release, the novel was praised by Mary McCarthy as "a creation of perfect beauty, symmetry, strangeness," and condemned by fellow New Yorker writer Dwight MacDonald as "unreadable."
With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for memorable shows that stand out in a crowded field. See below for an abbreviated summer Lookout of five of the best shows we saw this week.
With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for memorable shows that stand out in a crowded field. Every Thursday we post the 10 shows our team of editors can't stop talking about.
With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for clever, memorable shows that stand out in a crowded field. Every Thursday, we'll post the 10 shows our team of editors can't stop talking about.
With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for clever, memorable shows that stand out in a crowded field. Every Thursday, we'll post the 10 shows our team of editors can't stop talking about.
With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for clever, memorable shows that stand out in a crowded field. Every Thursday, we'll post the 10 shows our team of editors can't stop talking about.
With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for clever, memorable shows that stand out in a crowded field. Every Thursday, we'll post the 10 shows our team of editors can't stop talking about. This week we check out adults-only comics from the '60s and '70s at Andrew Edlin, Diana Shpungin's ode to her father at Stephan Stoyanov and B. Wurtz's whimsical sculptures made from discarded household materials. See all 10 picks below.
With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for clever, memorable shows that stand out in a crowded field. Every Thursday, we'll post the 10 shows our team of editors can't stop talking about.