Books

Advertisement

Books

Advertisement

Books

Advertisement

Books

Advertisement

Books

Advertisement

Michèle C. Cone on Anka Muhlsteinâ??s The Pen and the Brush: How Passion for Art Shaped Nineteenth-Century French Novels; plus related titles in brief.

Books

Advertisement

Anna Wallace-Thompson on Laura U. Marksâ??s Hanan al-Cinema: Affections for the Moving Image; plus related titles in brief.

Books

Advertisement

Lilly Wei on Judith E. Steinâ??s Eye of the Sixties: Richard Bellamy and the Transformation of Modern Art; plus related titles in brief.

Books

Advertisement

Margarita Tupitsyn on Black Square: Malevich and the Origin of Suprematism by Aleksandra Shatskikh; plus related titles in brief.

Books

Advertisement

Rob Horning on Lauren Cornell and Ed Halter, eds., Mass Effect: Art and the Internet in the Twenty-First Century; plus related titles in brief.

Books

Advertisement

Rob Horning on Lauren Cornell and Ed Halter, eds., Mass Effect: Art and the Internet in the Twenty-First Century; plus related titles in brief.

Books

Advertisement

Janet Koplos on Adrian Favellâ??s Before and After Superflat: A Short History of Japanese Contemporary Art 1990-2011; plus related titles in brief.

Books

Advertisement

Andy Grundberg on Errol Morrisâ??s Believing Is Seeing (Observations on the Mysteries of Photography), plus recent photography titles.

Books

Advertisement

Christina Rosenberger on Laurie Wilsonâ??s Louise Nevelson: Light and Shadow; plus related titles in brief.

Books

Advertisement

Saul Steinberg: A Biography, plus related titles in brief.

Books

Advertisement

Raphael Rubinstein on Susanne Kippenbergerâ??s Kippenberger: The Artist and His Families; plus recent related titles.

Books

Advertisement

Michèle C. Cone on Rosamond Bernier: Some of My Lives.

Books

Advertisement

Colin Westerbeck on Arthur Lublowâ??s Diane Arbus: Portrait of a Photographer; plus related titles in brief.

Books

Advertisement

Eleanor Heartney on Reiko Tomiiâ??s Radicalism in the Wilderness: International Contemporaneity and 1960s Art in Japan; plus related titles in brief.

Books

Advertisement

Jacob Stewart-Halevy on Kate Eichhornâ??s Adjusted Margin: Xerography, Art, and Activism in the Late Twentieth Century; plus related titles in brief.

Books

Advertisement

Brian Droitcour on Margarita Tupitsyn’s Moscow Vanguard Art: 1922â??1992; plus related titles in brief.

Books

Advertisement

Michael Asbury on Claudia Calirman’s Brazilian Art under Dictatorship: Antonio Manuel, Artur Barrio and Cildo Meireles; plus related titles in brief.

Books

Advertisement

Sue Taylor on Women Artists: The Linda Nochlin Reaser; plus related titles in brief.

Books

Advertisement

Steven C. Dubin on Susan E. Cahanâ??s Mounting Frustration: The Art Museum in the Age of Black Power; plus related titles in brief.

Books

Advertisement

Eleanor Heartney on Artificial Hells: Participatory Art and the Politics of Spectatorship, by Claire Bishop, and The One and The Many: Contemporary Collaborative Art in a Global Context, by Grant H. Kester; plus related titles.

Books

Advertisement

Ken Johnson on Hal Fosterâ??s The Art-Architecture Complex and The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha; plus related titles.

Books

Advertisement

Peter Plagens on Saul Bass: A Life in Film & Design by Jennifer Bass and Pat Kirkham; plus new titles on design.

Books

Advertisement

Soojin Lee on Infinity Net: The Autobiography of Yayoi Kusama; plus other titles on Japanese women artists.

Books

Advertisement

David Ebony on Michael Peppiattâ??s Francis Bacon in Your Blood; plus related titles in brief.

Books

Advertisement

David Ebony on Alexander Alberro’s Abstraction in Reverse: The Reconfigured Spectator in Mid-Twentieth-Century Latin American Art; plus related titles in brief.

Books

Advertisement

Karen L. Schiff on Agnes Martin: Paintings, Writings, Remembrances by Arne Glimcher; plus related titles in brief.

Books

Advertisement

Robert Atkins on Alternative Histories: New York Art Spaces, 1960 to 2010, edited by Lauren Rosati and Mary Anne Staniszewski; plus related titles in brief.

Books

Advertisement

Peter Plagens on The Culture of Curating and the Curating of Culture(s) by Paul O’Neill and Thinking Contemporary Curating by Terry Smith.

Books

Advertisement

Debra Bricker Balken on Art in America, 1945-1970: Writing from the Age of Abstract Expressionism, Pop Art, and Minimalism edited by Jed Pearl; plus related titles in brief.

Books

Advertisement

Robert Atkins onFire in the Belly: The Life and Times of David Wojnarowiczby Cynthia Carr; plus related titles in brief.

Books

Advertisement

Richard Kalina on Rebels in Paradise: The Los Angeles Art Scene and the 1960s by Hunter Drohojowska-Philp; plus related titles on California style.

Books

Advertisement

Robert Atkins on Douglas Crimp’s Before Pictures; plus related titles in brief.

Books

Advertisement

Bartholomew Ryan on Conceptualism and Other Fictions: The Collected Writings of Eduardo Costa, 1965â??2015; plus related titles in brief.

Books

Advertisement

Bartholomew Ryan on Conceptualism and Other Fictions: The Collected Writings of Eduardo Costa, 1965â??2015; plus related titles in brief.

Books

Advertisement

Faye Hirsch on Joan Mitchell, Lady Painter: A Life by Patricia Albers.

Books

Advertisement

David Ebony on Phoebe Hoban’s Alice Neel: The Art of Not Sitting Pretty.

Books

Advertisement

Peter Plagens on Boris Groys’s Art Power and Ian Patterson’s Guernica and Total War; David Ebony on Stephen F. Eisenman’s The Abu Ghraib Effect; and more.

Books

Advertisement

Abigail Solomon-Godeau on Ariella Azoulayâ??s The Civil Contract of Photography.

Books

Advertisement

Sue Taylor on Ruth Richardson’s The Making of Mr. Gray’s Anatomy: Bodies, Books, Fortune, Fame.

Books

Advertisement

Richard Kalina on Cézanne: A Life by Alex Danchev; plus related titles in brief.

Books

Advertisement

Sarah Lewis on Kobena Mercerâ??s Travel & See: Black Diaspora Art Practices since the 1980s; plus related titles in brief.

Books

Advertisement

Eleanor Heartney on Charlene Spretnak’s The Spiritual Dynamic in Modern Art: Art History Reconsidered, 1800 to the present and Aaron Rosen’s Art + Religion in the 21st Century; plus related titles in brief.

Books

Advertisement

Robert Berlind on Amy Goldin: Art in a Hairshirt, Art Criticism 1964-78, edited by Robert Kushner; plus related titles in brief.

Books

Advertisement

Nancy Princenthal on Alva Noë’s Strange Tools: Art and Human Nature and Jonathan Fineberg’s/ Modern Art at the Border of Mind and Brain; plus related titles in brief.

Books

Advertisement

Annette Leddy on Out of Sight: The Los Angeles Art Scene of the Sixties; plus related titles in brief.

Books

Advertisement

Robert Atkins on Man Ray: Writings on Art; plus related titles in brief.

Books

Advertisement

Tom Huhn on Sarah Wilson’s The Visual World of French Theory: Figurations.

Books

Advertisement

Abigail Solomon-Godeau on Nancy Spero: The Work by Christopher Lyon; Hannah Wilke by Nancy Princenthal; Lynda Benglis edited by Franck Gautherot, et al.; and more.

Books

Advertisement

Margarita Tupitsyn on The Experimental Group: Ilya Kabakov, Moscow Conceptualism, Soviet Avant-Gardes by Matthew Jesse Jackson and History Becomes Form: Moscow Conceptualism by Boris Groys; and more.

Books

Advertisement

Raphael Rubinstein on Rosalind E. Krauss’s Perpetual Inventory.

Books

Advertisement

Steven C. Dubin on Sue Williamson’s South African Art Now, and Okwui Enwezor and Chika Okele-Agulu’s Contemporary African Art Since 1980.

Books

Advertisement

Robert Atkins on Lives of the Artists by Calvin Tomkins and Letâ??s See: Writings on Art from The New Yorker by Peter Schjeldahl.

Books

Advertisement

Franz Schulze on Why Architecture Matters by Paul Goldberger and Hearts of the City: The Selected Writing of Herbert Muschamp.

Books

Advertisement

Eleanor Heartney on Pop: The Genius of Andy Warhol, by Tony Scherman and David Dalton; Andy Warhol and the Can That Sold the World, by Gary Indiana; and more.

Books

Advertisement

Robert Atkins on Keith Haring by Jeffery Deitch and Julia Gruen, and Against All Odds: Keith Haring in the Rubell Family Collection by Mark Coetzee; Peter Plagens on Exquisite Corpse: Surrealism and the Black Dahlia Murder; and more.

Books

Advertisement

Julian Kreimer on Josef Albers: To Open One’s Eyes; The Bauhaus, Black Mountain College, and Yale, by Frederick A. Horowitz and Brenda Danilowitz, color Chart: Reinventing Color, 1950 to Today by Ann Temkin, and more.

Books

Advertisement

Richard Kalina on Annie Cohen-Solal’s Leo and His Circle: The Life of Leo Castelli.

Books

Advertisement

Michèle C. Cone on Romy Golan’s Muralnomad: The Paradox of Wall Painting, Europe 1927-57.

Books

Advertisement

Richard Kalina on The Extreme of the Middle: Writings of Jack Tworkov, edited by Mira Schor.

Books

Advertisement

Robert Atkins on Oliver Grau’s MediaArtHistories, Steve Dixon’s Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation and Frank Popper’s From Technological to Virtual Art

Books

Advertisement

Paul Mattick on Lynette Roth’s Painting as a Weapon: Progressive Cologne 1920-33 and Nader Vossoughian’s Otto Neurath: The Language of the Global Polis, and David Ebony on Eric Kerpeles’s Paintings in Proust.

Books

Advertisement

Garth Clark on Howard Risatti’s A Theory of Craft: Function and Aesthetic Expression and Glenn Adamson’s Thinking Through Craft.

Books

Advertisement

Paul Mattick on Max Kozloff’s The Theatre of the Face: Portrait Photography Since 1900 and Sarah Greenough and Diane Waggoner’s The Art of the American Snapshot 1888-1978: From the Collection of Robert E. Jackson; and more.

Books

Advertisement

Peter Plagens on Sarah Thornton’s Seven Days in the Art World and Nancy Princenthal on Marcia Tucker’s A Short Life of Trouble: Forty Years in the New York Art World.

Books