In the Studio

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Whether making a photorealist gouache or an assemblage that combines a carpet remnant with a Noguchi lamp, Blair is an exacting artist. He talks about finding coherence in a disparate body of work.

In the Studio

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Robson describes the path that led her to make phantasmagoric assemblages of discarded plastic bottles and other detritus.

In The Studio

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Turning eggshells into a voluptuous bather and feathers into a full-scale motorcycle is workable magic for Hawkinson, who here discusses how he does it and where he gets his ideas.